Graphic Web Designers

Print

Strong design that catches attention
and enhances your brand

Website Designe

Website Design

Clean, modern, mobile-friendly
designs made to sell your product

Graphic Web Designers

Video

Different styles to showcase
your business message

Design Business Web

Whiteboard Animation

Eye-catching and fun animations that
will keep your web visitor engaged

Graphic Web Designers

Illustration

Custom illustrations guaranteed to be
worth a thousand words each

Website Designe

Custom HTML Emails

Custom emails engage your clients
with visually appealing graphics

Design Business Web

Logos

Logos that reflect and communicate
your business philosophy

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Other Fun Stuff

Ars longa, vita brevis —
(not enough hours in a day)

Website Designe

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Information for the city of Provo

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Provo is the third largest city in the U.S. state of Utah, located about 43 miles (69 km) south of Salt Lake City along the Wasatch Front. Provo is the largest city and county seat of Utah County. It lies between the cities of Orem to the north and Springville to the south. With a population at the 2010 census of 112,488, Provo is the principal city in the Provo Orem metropolitan area, which had a population of 526,810 residents at the 2010 census. It is the third largest metro area in the state behind Salt Lake City and Ogden Clearfield.The city is home to Brigham Young University, a private higher education institution, which is operated by The Church of Jesus Christ of Latter day Saints (LDS Church).

 

Provo is also home to the largest Missionary Training Center for the LDS Church. The city is a key operational center for Novell and has been a focus area for technology development in Utah. The city is also home to the Peaks Ice Arena, which served as a venue for the Salt Lake City Winter Olympics in 2002. Sundance Resort is located 13 miles (21 km) northeast at Provo Canyon.In 2009, Provo was listed in Where to magazine as an ""enticing city for new careers."" Provo was also listed in National Geographic Adventure magazine's ""where to live and play"" as a cultural hub. In 2010, Forbes rated Provo one of the top 10 places to raise a family. Additionally, in 2013, Forbes ranked Provo the No. 2 city on its list of Best Places for Business and Careers. On April 17, 2013, Provo announced that it would be the second metropolitan area in the United States to have Fiber, by purchasing an existing city owned fiberoptic network.

 

"

 

Information for the state of Utah

Cultivated land, including isolated farms in river valleys and considerable dry-farming acreage, is limited to a small percentage of the state's total area. Major crops are hay, corn, barley, and wheat, but the bulk of income from agriculture comes from livestock and livestock products, including sheep, cattle, dairying, and an expanding poultry industry. Abundant sunshine provides some compensation for inadequate rainfall, and the climate is generally moderate, allowing for substantial fruit production. The proximity of high-grade iron, coal, and limestone made Provo a steel center. Industrial plants extend from Provo to Brigham City, with the largest concentration in the Salt Lake City area. Utah is now a center for aerospace research and the production of missiles, spacecraft, computer hardware and software, electronic systems, and related items. Other major manufactures are processed foods, machinery, fabricated metals, and petroleum products.

 

For many years high freight rates and the long distances to major markets, together with a Mormon distrust of industrialization, tended to discourage manufacturing. However, the establishment of defense plants and military installations during World War II spurred phenomenal industrial growth. The proximity of high-grade iron, coal, and limestone made Provo a steel center. Industrial plants extend from Provo to Brigham City, with the largest concentration in the Salt Lake City area. Utah is now a center for aerospace research and the production of missiles, spacecraft, computer hardware and software, electronic systems, and related items. Other major manufactures are processed foods, machinery, fabricated metals, and petroleum products. Tourism has become increasingly important to the state's economy. In addition to the five national parks and seven national monuments, ski resorts, particularly in the Wasatch Range, are popular destinations.

 

How I Made A Fortune With This Website Design  

Visit the sites they've designed and take time to look through their portfolio. If you're struggling to find anything you like, then they're probably not the right web design agency for you. -Provo Website Design Companies

 

 

GIVE US 10 MINUTES AND YOU'LL..  

Provo Website Design Companies Articles

"

Video: An Effective Way to Communicate with Clients

 

Today, we're seeing video as one of the key methods for communicating messages to clients. Here are some interesting facts you may not be aware of -

 

-After Google, YouTube has become the second-biggest search engine;

 

-Every minute there are 60 hours of video being uploaded; which means that each and every second a staggering 60 minutes of video is uploaded onto YouTube;

 

-Each day a whopping 4 billion videos (conservatively) are watched;

 

-Each month more than 800 million users visit YouTube;

 

-Every month more than 3 billion hours of video are watched on YouTube;

 

-In one month, more video is uploaded to YouTube than the three major networks in the United States created in 60 years;

 

-YouTube had over 1 trillion views in the year 2011; which equals around 140 views for every person on earth.

 

So, what do all the above statistics mean for you and your business? It means that viewers love videos, so businesses need to acknowledge this and provide their customers with the type of content they're looking for. It's true that a lot of online video consumption is driven by entertainment and recreational videos; however, there's enough evidence to show that video is very impactful when used for business purposes.Let's take a look at another lot of statistics -

 

-Consumers spend 9% more time viewing a webpage when there's a video present, compared to when there's no video;

 

-In a survey, 22% of respondents said they preferred to watch a video rather than browsing text when looking for business information, and 60% said they would watch a video before they read text on the same webpage;

 

-75% of executives surveyed said that at least once a week they watch work-related videos on business websites, while more than 50% said they watch these videos on YouTube;

 

-A survey carried out by Forbes in October 2010 showed that, after viewing a work-related online video, 65% of executives in the United States visit a vendor's website.

 

So, what does all this information mean? It means that, for the continued success and growth of your business, it's imperative that you implement a video content strategy, if you haven't yet done so.

 

Below we've listed the main reasons why we believe you need to implement a video content strategy for your business -

 

-It's What Your Clients Want!

 

All today's trends point towards the fact that your customers and potential customers want video from you; and if you don't give your customers what they want, someone else will.

 

-Less Time - More Content

 

In just of short period of time you can communicate a lot of information via video. In fact, research shows that watching one minute of video is equivalent to reading 1.8 million words!

 

-Assists with Branding

 

Branding can be a very complex business, and videos are ideal for crafting and shaping your brand. It's a lot easier to convey emotions and add different attributes to your brand with a video than it is with photos and text.

 

-They're Multipurpose

 

It's not only on their website that businesses use videos; they use other online channels as well, like social media platforms and YouTube. Videos can also be used for email marketing campaigns, for presentations in off-line settings, and on televisions in waiting rooms.

 

-Improved Website Quality

 

A well put-together video improves the overall quality and efficiency of any website.

 

-Highlights Your Profile and Personality

 

Clients respond to videos created with a personal touch, so businesses can use video to project a more human and personal profile to their clients. Doctors and lawyers are able to present a less formal approach through video, something clients appreciate and respond to.

 

-Email Marketing

 

Compared to static emails, videos used in email marketing generate between two and three times higher click-through rates.

 

-Videos Are the Way of the Future

 

Today, most smartphones and other mobile devices are already optimized for video consumption, which means that when you provide content in video format, you're automatically differentiating yourself from your competitors.

 

"

 

How I Made A Fortune With This Website Design

 

 

Provo Website Design Companies Articles

Important Points to Consider When Hiring a Graphic Designer

 

Great graphic design can shape your online identity; an identity that reflects your values, resonates well with your audience, and looks smart. In addition, it can help you reach your goals. In fact, having a great graphic designer could well be one of the most important contributors to the success of your business. We know that concise messaging, a strong value proposition, and frequent outreach are all vital to achieving an effective communications plan; however, no plan can succeed without top-quality creative presentation that lifts you above your competitors. You need a plan that not only engages your audience but influences their behavior.

 

Choosing the Right Graphic Designer for Your Needs

 

 

Today, there are some very talented designers out there; however, they're not all the same, because creative ability is just one piece of the puzzle. The separation begins with the functional and practical application of that talent. See below for some important factors to consider when trying to choose from talented graphic designers -

 

•Look for Diverse Experience

 

 

Experience is important and, while many graphic designers share the same skill sets, you'll find that designers who've worked in advertising agencies have usually worked for a variety of clients which generally makes them more efficient with their time. Designers who've worked in corporate communications are more likely to be sensitive to budgetary constraints and will have developed a variety of skills across many disciplines. Of course, finding a designer with both these histories should present the very best on offer.

 

•Check Their Online Portfolio

 

 

Study their online portfolio because, if there's only a small sampling of their work, it could well be an indication of inexperience. You're looking for a graphic designer who's completed a variety of work for a range of industries: in particular, you're checking to see if they've worked for businesses similar to yours. If they have, how do their strengths align with both your immediate and long-term needs? They may not be the right fit if you see mostly logos but you're actually looking for advertising help. Let's say you're in a high-tech industry: if you choose a designer who mainly focuses on retail goods they may not either understand your audience or be experienced enough to handle the learning curve.

 

•Know Your Graphic Designer

 

 

You need to know a little about your graphic designer, like - how do they think? Are they active on social media? Do they have a blog? Have you checked out their LinkedIn profile? Do they use social media to offer helpful tips and advice, or only to show samples of their work? If they have an interesting blog, one that you can learn from, this designer could well be the right one for you.

 

•The All-Important Testimonials

 

 

In business, word-of-mouth is so very important, and so is the written word from satisfied clients. Graphic designers are no exception to this, and a webpage of testimonials tells potential clients that, not only are previous customers satisfied, they're prepared to tell everyone about the great service or product they received. Take a close look at all the comments: are they all pretty-much the same, or do they offer an insight into the type of relationship they've had with the designer. Don't hesitate to contact previous clients and ask about their experience with the designer.

 

•Have Realistic Expectations

 

 

State your expectations clearly, and this will avoid both you and the designer wasting time. Ask your new designer how your business fits into their business model, and whether you'll receive the same level of attention all their other clients receive. Keep in mind, though, that expectation management is a two-way street: you probably won't be the graphic designer's only client, so you need to be both realistic and sensitive to their need to manage their business.

 

•Consider Hiring Locally

 

 

It's much easier to discuss your needs with a graphic designer if you can meet in person, face-to-face. In fact, be concerned if your local graphic designer does not ask to meet you in-person. So much can be learned when people engage in conversation that goes beyond the project at hand. Real success can't be achieved by hiring an online logo service that outsources work overseas, meaning that a good relationship is very important to the success of any communications effort. And of paramount importance is this: your graphic designer must understand you, your service or product, your industry, your audience, and of course your competition. Your graphic designer must be able to reflect your personality, your style, and your attitude because, not only is it entirely appropriate, it brings real ownership to you. None of this can be achieved without a relationship of proximity. It's quite misguided to separate the client from the creative professional, plus it productizes the service.

 

•Charge-Out Rates

 

 

There will always be less-experienced graphic designers out there happy to charge low rates, but keep in mind that their inexperience means they'll require more direction and handholding and they'll probably work slower. Yes, an experienced designer will charge high hourly rates but, to counteract this, they work more efficiently, will typically need less direction, and are more attuned to best practices. In addition, they generally have working relationships with vendors, industry experts, and so on, and can point you to the right resource to complete the job. There's always going to be some appeal in finding the cheapest designer, but keep in mind that you could end up paying more through revisions or time spent.

 

•Graphic Design Is an Investment - Not an Expense!

 

 

Do some research on how much graphic design services cost and, before you contact anyone, work out a realistic budget. You should understand the true value of what you're going to buy, so, when evaluating fees, make sure you maintain the right perspective. Generally, people are quite happy to pay their mechanic or accountant $100 per hour, and certainly nobody would argue that the face of your business is any less important. Be wary of graphic designers who undervalue their professionalservices, or alternatively, offer huge discounts just to win your business.

 

•Are They Listening to You?

 

 

Is your potential graphic designer listening to what you're saying? Do they understand your business goals? Does your candidate understand exactly how everything fits into your business goals or are they thinking along a project-by-project path?

 

•Are You Listening to Them?

 

 

Listen to what your graphic designer has to say, because an experienced professional will have some great advice to offer that could well make you reconsider some of your own ideas. That's not a bad thing - it's a good thing! Basically, you're looking for a graphic designer who's prepared to challenge your thinking, so be open to their advice. Don't be so sure you know exactly what you want because, if you say you're only looking for someone to put all your ideas in place, that's probably what you'll get; but it may not be what you really need.

 

Your Initial Meeting

 

 

Once you've had a face-to-face meeting with a short list of candidates you'll soon determine the best fit for you. It's okay to let them know that this is new territory for you, because a real professional will be prepared to help you, understanding that everyone benefits in the long run. Pay particular attention to candidates who ask a lot of questions about your business, your audience, and the market, prior to discussing your project; because in order for them to work effectively for you they need to understand both your long-term vision and your challenges. With this information, they'll be in a good position to offer valuable advice.

 

It's important that you ask questions too: ask about their work and their experience. How do they answer these questions: do they discuss challenges and results, or do they just rattle off a list of projects? You're looking for someone who has genuine passion for what they do. Because you've already done your research you can ask about specific projects or clients you saw on their website, and the role they played. Who does your potential designer work for, and do they have any other qualifications or disciplines? Perhaps your potential designer is also a great writer, but it's more likely that they work within a network of experts, and this might include photographers, printers, and developers.

 

A Good Working Relationship

 

 

It's really important that you have a good working relationship with your graphic designer because this can yield results that are not only effective, but look great, and provide the perfect platform for your business to grow. Remember that the more flexibility and freedom you give your designer, the more chance you'll have of achieving results you never dreamed of. At the same time, you must stay involved throughout the process because it's important that you don't lose ownership of the final result. Everyone wins if you leave your options open and are willing to listen and learn. You can easily take your business to the next level when you have the right team of experts in your corner; and one of your most valuable resources will be an experienced, innovative graphic designer.

 

 

 

Provo Website Design Companies Articles

Explaining Whiteboard Animations

 

Whiteboard animations, also known as animated doodling or video-scribes, are videos consisting of simple illustrations drawn on a white background. Whiteboard animations are the ideal way of communicating a message or telling a story, because, through the action of drawing, they make images come to life.

 

Animated videos help the viewer better understand and retain an idea, message, or concept, because the animation is so captivating that it keeps the viewer's attention and makes it hard for them to look away. Today, whiteboard animations have become extremely popular and are being used by organizations and companies all over the world to promote, educate, and persuade the viewer.

 

Whiteboard animations are used to -

 

Explain an idea or core concept;

 

Promote a new product;

 

Describe in detail how a certain process works;

 

Tell a brand's story;

 

Communicate a training initiative or new strategy;

 

Educate the general public, or students;

 

Draw attention to a specific message; and

 

Present research findings.

 

Over the past few years the potential of video content marketing has become very obvious and, as more businesses capitalize on this growing trend, we're seeing the internet becoming increasingly populated with various types of animations and videos. Possibly the greatest advantage of a high-quality whiteboard video is that it's direct and simple. It's not dependent on flashy effects to engage the viewer; it relies solely on carefully crafted hand-drawn illustrations. It's a well-known fact that today's internet viewer has a short attention span, and these illustrations are designed to quickly captivate the viewer and help them remember what they've seen and heard in a way that's never been achieved by other video formats.

 

Why Whiteboard Animation Videos Are So Successful

 

Below we've listed the main reasons why we believe white board animations have become so effective in drawing the viewer's attention and getting your message across -

 

They're So Simple

 

In the past, videos typically used fast motion and flashy graphics to keep viewers engaged, when in fact these aspects of videos make it hard to remember what we've seen because they overload our senses. On the other hand, whiteboard animation videos use simple illustrations to get right to the point. There are no pointless distractions because everything you see is important and simply enhances the message.

 

They're Multisensory

 

Whiteboard animations use a combination of illustrations, on-screen text, and audio, and these work together to target different areas of the brain simultaneously. We all learn differently: some people learn by listening while others are more visual learners, and that's probably why whiteboard animations are so successful, because they work for everyone.

 

They're Captivating

 

Well-made animation videos are a joy to watch. Whether it's the fact that the image is revealed one part at a time or perhaps it's that our attention is drawn to a hand moving across the screen; whatever the attraction, it's true that we love watching whiteboard animation videos, and we don't take our eyes off for one moment because we don't want to miss what happens next. The result is that viewers pay more attention to whiteboard animation videos than they do to any other type of video.

 

They're Enjoyable to Watch

 

It's quite easy to get someone to be receptive to your message with a whiteboard animation video. These videos create a sense of fun, thereby putting the viewer in a good mood and making them more responsive to what you're trying to say. When the viewer is watching images that are more cartoony than corporate and boring, it doesn't feel like work - it feels like fun! And what better way of getting people to relax and enjoy ‘the movie'.

 

They're Memorable

 

Compared to talking head videos, studies of whiteboard animations were found to increase viewers' retention of messages by 15%. Any increase would be impressive, but an increase of 15% is quite extraordinary. Study show that viewers remember what they've seen for much longer, and are more likely to share both the message and the video.

 

 

You Can Find More Information at  http://propertyinmacedonia.com/
and at Seattle Sites Web Design

Call Us Today at: 206-335-8528

 

Watch our Video Designs For Websites And TV Commercials below to see how we work for you.

 

 


 

How To Get Your Website To Deliver Profits

 

 

Some history on the Website Design Services Industry

 

Website Designer

Web design encompasses many different skills and disciplines in the production and maintenance of websites. The different areas of web design include web graphic design; interface design; authoring, including standardised code and proprietary software; user experience design; and search engine optimization. Often many individuals will work in teams covering different aspects of the design process, although some designers will cover them all. The term web design is normally used to describe the design process relating to the front-end (client side) design of a website including writing mark up. Web design partially overlaps web engineering in the broader scope of web development. Web designers are expected to have an awareness of usability and if their role involves creating mark up then they are also expected to be up to date with web accessibility guidelines.

 

Web Designer Tools and technologies

 

Web designers use a variety of different tools depending on what part of the production process they are involved in. These tools are updated over time by newer standards and software but the principles behind them remain the same. Web designers use both vector and raster graphics editors to create web-formatted imagery or design prototypes. Technologies used to create websites include W3C standards like HTML and CSS, which can be hand-coded or generated by WYSIWYG editing software. Other tools web designers might use include mark up validators and other testing tools for usability and accessibility to ensure their web sites meet web accessibility guidelines.

 

Skills and techniques

 

Marketing and communication design

 

Marketing and communication design on a website may identify what works for its target market. This can be an age group or particular strand of culture; thus the designer may understand the trends of its audience. Designers may also understand the type of website they are designing, meaning, for example, that (B2B) business-to-business website design considerations might differ greatly from a consumer targeted website such as a retail or entertainment website. Careful consideration might be made to ensure that the aesthetics or overall design of a site do not clash with the clarity and accuracy of the content or the ease of web navigation, especially on a B2B website. Designers may also consider the reputation of the owner or business the site is representing to make sure they are portrayed favorably

 

User experience design and interactive design

 

User understanding of the content of a website often depends on user understanding of how the website works. This is part of the user experience design. User experience is related to layout, clear instructions and labeling on a website. How well a user understands how they can interact on a site may also depend on the interactive design of the site. If a user perceives the usefulness of the website, they are more likely to continue using it. Users who are skilled and well versed with website use may find a more distinctive, yet less intuitive or less user-friendly website interface useful nonetheless. However, users with less experience are less likely to see the advantages or usefulness of a less intuitive website interface. This drives the trend for a more universal user experience and ease of access to accommodate as many users as possible regardless of user skill. Much of the user experience design and interactive design are considered in the user interface design.

 

Advanced interactive functions may require plug-ins if not advanced coding language skills. Choosing whether or not to use interactivity that requires plug-ins is a critical decision in user experience design. If the plug-in doesn't come pre-installed with most browsers, there's a risk that the user will have neither the know how or the patience to install a plug-in just to access the content. If the function requires advanced coding language skills, it may be too costly in either time or money to code compared to the amount of enhancement the function will add to the user experience. There's also a risk that advanced interactivity may be incompatible with older browsers or hardware configurations. Publishing a function that doesn't work reliably is potentially worse for the user experience than making no attempt. It depends on the target audience if it's likely to be needed or worth any risks.

 

Page layout

 

Part of the user interface design is affected by the quality of the page layout. For example, a designer may consider whether the site's page layout should remain consistent on different pages when designing the layout. Page pixel width may also be considered vital for aligning objects in the layout design. The most popular fixed-width websites generally have the same set width to match the current most popular browser window, at the current most popular screen resolution, on the current most popular monitor size. Most pages are also center-aligned for concerns of aesthetics on larger screens.

 

Fluid layouts increased in popularity around 2000 as an alternative to HTML-table-based layouts and grid-based design in both page layout design principle and in coding technique, but were very slow to be adopted. This was due to considerations of screen reading devices and varying windows sizes which designers have no control over. Accordingly, a design may be broken down into units (sidebars, content blocks, embedded advertising areas, navigation areas) that are sent to the browser and which will be fitted into the display window by the browser, as best it can. As the browser does recognize the details of the reader's screen (window size, font size relative to window etc.) the browser can make user-specific layout adjustments to fluid layouts, but not fixed-width layouts. Although such a display may often change the relative position of major content units, sidebars may be displaced below body text rather than to the side of it. This is a more flexible display than a hard-coded grid-based layout that doesn't fit the device window. In particular, the relative position of content blocks may change while leaving the content within the block unaffected. This also minimizes the user's need to horizontally scroll the page.

 

Web Design NAICS Index Description

 

541511 Web (i.e., Internet) page design services, custom

 

Some history on the Graphic Design Services Industry

 

Graphic Designer

Graphic design is the process of visual communication and problem-solving through the use of typography, photography and illustration. The field is considered a subset of visual communication and communication design, but sometimes the term "graphic design" is used synonymously. Graphic designers create and combine symbols, images and text to form visual representations of ideas and messages. They use typography, visual arts, and page layout techniques to create visual compositions. Common uses of graphic design include corporate design (logos and branding), editorial design (magazines, newspapers and books), advertising, web design, communication design, product packaging and signage.

 

Applications

 

From road signs to technical schematics, from interoffice memorandums to reference manuals, graphic design enhances transfer of knowledge and visual messages. Readability and legibility is enhanced by improving the visual presentation and layout of text.

 

Design can also aid in selling a product or idea through effective visual communication. It is applied to products and elements of company identity like logos, colors, packaging, and text. Together these are defined as branding (see also advertising). Branding has increasingly become important in the range of services offered by many graphic designers, alongside corporate identity. Whilst the terms are often used interchangeably, branding is more strictly related to the identifying mark or trade name for a product or service, whereas corporate identity can have a broader meaning relating to the structure and ethos of a company, as well as to the company's external image. Graphic designers will often form part of a team working on corporate identity and branding projects. Other members of that team can include marketing professionals, communications consultants and commercial writers.

 

Textbooks are designed to present subjects such as geography, science, and math. These publications have layouts which illustrate theories and diagrams. A common example of graphics in use to educate is diagrams of human anatomy. Graphic design is also applied to layout and formatting of educational material to make the information more accessible and more readily understandable.

 

Skills

 

A graphic design project may involve the stylization and presentation of existing text and either preexisting imagery or images developed by the graphic designer. Artistic pieces can be incorporated in both traditional and digital form, which involves the use of visual arts, typography, and page layout techniques for publications and marketing. For example, a newspaper story begins with the journalists and photojournalists and then becomes the graphic designer's job to organize the page into a reasonable layout and determine if any other graphic elements should be required. In a magazine article or advertisement, often the graphic designer or art director will commission photographers or illustrators to create original pieces just to be incorporated into the design layout. Or the designer may utilize stock imagery or photography. Contemporary design practice has been extended to the modern computer, for example in the use of WYSIWYG user interfaces, often referred to as interactive design, or multimedia design. Another aspect of graphic design is to have good research skills, analyzing a work of art and simultaneously seeing it in new ways. Graphic Design need skills such as power to convince the audience and selling the design. Communication is a key part in graphic design. The process of graphic design include the "process school" which is an approach to the subject that is concerned with the actual process of communication; it especially highlights the channels and media through which messages are transmitted and by which senders and receivers encode and decode. Semiotic School on the other hand, is message as a construction of signs which through interaction with receivers, produces meaning; communication as an agent. The process school is like the way in which a message is brought out to society.

 

North American Industry Classification System For Graphic Design Services

 

This industry comprises establishments primarily engaged in planning, designing, and managing the production of visual communication in order to convey specific messages or concepts, clarify complex information, or project visual identities. These services can include the design of printed materials, packaging, advertising, signage systems, and corporate identification (logos). This industry also includes commercial artists engaged exclusively in generating drawings and illustrations requiring technical accuracy or interpretative skills

 

Illustrative Examples: Commercial art studios
Independent commercial or graphic artists
Corporate identification (i.e., logo) design services
Medical art or illustration services
Graphic design consulting services

 

Graphic Design NAICS Index Description

 

541430 Art services, commercial
541430 Art services, graphic
541430 Artists, independent commercial
541430 Artists, independent graphic
541430 Artists, independent medical
541430 Commercial art services
541430 Commercial artists, independent
541430 Commercial illustration services
541430 Commercial illustrators, independent
541430 Communication design services, visual)
541430 Communication design services, visual
541430 Corporate identification (i.e., logo) design services
541430 Graphic art and related design services
541430 Graphic artists, independent
541430 Graphic design services
541430 Illustrators, independent commercial
541430 Medical art services
541430 Medical artists, independent
541430 Medical illustration services
541430 Medical illustrators, independent
541430 Silk screen design services
541430 Studios, commercial art

 

Some history on the Whiteboard Animation Video Services Industry

 

Whiteboard animation

Whiteboard animation is a process where a creative story and storyboard with pictures is drawn on a whiteboard (or something that resembles a whiteboard) by artists who record themselves in the process of their artwork. It is used in TV and internet advertising to communicate messages in a unique way.

 

Terminology

 

The term whiteboard animation comes from the process of someone drawing on a whiteboard and recording it. The actual effect is a time-lapse, or sometimes stop-motion. Actual animation is rarely used but has been incorporated. Other terms are video scribing, and animated doodling. These video animation styles are now seen in many variations, and have taken a turn into many other animation styles. With the introduction of software to create the whiteboard animations, the process has many different manifestations of varying quality.

 

Skills and techniques

 

Marketing and communication design

 

Marketing and communication design on a website may identify what works for its target market. This can be an age group or particular strand of culture; thus the designer may understand the trends of its audience. Designers may also understand the type of website they are designing, meaning, for example, that (B2B) business-to-business website design considerations might differ greatly from a consumer targeted website such as a retail or entertainment website. Careful consideration might be made to ensure that the aesthetics or overall design of a site do not clash with the clarity and accuracy of the content or the ease of web navigation, especially on a B2B website. Designers may also consider the reputation of the owner or business the site is representing to make sure they are portrayed favorably

 

Animation

 

Animation is the process of making the illusion of motion and the illusion of change[Note 1] by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape, digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced.

 

Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery (CGI). 3D animation uses computer graphics, while 2D animation are used for stylistic, low bandwidth and faster real time renderings.

 

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Video editing

 

The term video editing can refer to: The process of manipulating video images. Once the province of expensive machines called video editors, video editing software is now available for personal computers and workstations. Video editing includes cutting segments (trimming), re-sequencing clips, and adding transitions and other Special Effects.

 

Linear video editing, using video tape and is edited in a very linear way. Several video clips from different tapes are recorded to one single tape in the order that they will appear.

 

Non-linear editing system (NLE), This is edited on computers with specialised software. These are non destructive to the video being edited and use programs such as Adobe Premiere Pro, Final Cut Pro and Avid.

 

Offline editing is the process in which raw footage is copied from an original source, without affecting the original film stock or video tape. Once the editing has been completely edited, the original media is then re-assembled in the online editing stage.

 

Online editing is the process of reassembling the edit to full resolution video after an offline edit has been performed and is done in the final stage of a video production.

 

Vision mixing, when working within live television and video production environments. A vision mixer is used to cut live feed coming from several cameras in real time.

 

Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. Computer animation processes generating animated images with the general term computer-generated imagery (CGI). 3D animation uses computer graphics, while 2D animation are used for stylistic, low bandwidth and faster real time renderings.

 

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